Tuesday, May 09, 2006

Dramatis Personæ


Hello. I'm Jillachetti. I'm in charge here. Miss Artistic Director...






...Jill Writes--she seems to think that she runs the place. But she's not doing too good of a job. She confuses people. She lets this one...






...the one that babbles--take over indiscriminately. That's right. I said "indiscriminately". What, you think just because I'm not old enough for pre-school, I don't know big words? A lot you know. I know enough to realize that someone needs to set things straight around here. And our "fearless leader", trying to juggle the play and the poetry and the expository stuff, she confuses people. She is vague. She is ambiguous. She writes random posts directed at God-knows-who--



I'm not God.


What?


I said, I'm not God.


Well of course you're not God. You're a chick from a Renoir.


Well, yes, I'm that. But I also know who JillWrites writes about. You said "God-knows-who", but I know who. And I'm not God.


Oh really, Miss Smarty-Impressionist-Pants!


Muse will do. You can drop the "Miss."



Uh, wait. I thought he...




...was our muse.


He is.


Not so easy to keep it straight, now, is it?


I didn't hear any one talking to you.


I was. You're me, kiddo. You were confusing yourself. Thus, you were talking to me.



Us.


Us.


So you're our muse?


I'm the head muse. I found him.




Why does he get the iPod avatar?




Because.




That is so not an answer.




Well it's a better answer than--




You're bickering with a fictional character.




What do you expect when she acts like you?


I expect you to remember which one of us is which.




You can't even keep it straight. I bet if Damon and I were both standing--




Someone call me? Hey man, what's up?




Wow.




Ambiguity. Ambiguity is up.




What do you have to complain about? You know exactly what's going on here.




Wow.




What?




And now you're male bonding with a fictional character.




Wow.




He's not fictional. He's me. Sorta.




I didn't think it was possible for you both to be in the same place, but... Wow.




This is not the time!




Are you kidding? This is the only time. This is the hottest thing I've ever seen.




I would have to agree.




Of course you agree. You're the one that gets us into these messes.




I would hardly call a well-developed appreciation of the male form and the male aura a mess.




What would you call it, then?




I think I'm too young for this.




Limitless inspiration.




You rang?




OH




MY




GOD.




I thought you'd see it my way.



Avatars courtesy of:
"Limitless Inspiration": Flandrin's Young Nude Male
"Muse": Detail from Renoir's Luncheon of the Boating Party
"Damon": Detail from Tillmans' portrait of Moby

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Tuesday, April 25, 2006

I Heart Hamlet

Hamlet is hot.

Hamlet. Shakespearean dead guy. "To be or not to be..." Jumping in graves. Talking to skulls. Crazy dude. Often over-acted. Hot.

It's not any of the things I've just mentioned (taken out of context) that do it. Those are just the images most often brought to mind when one mentions Hamlet to someone who had to suffer through a less-than-inspiring English teacher. That's just the iconography we have been brainwashed as a society into associating with the sexiest man in world literature.

Jill: Hamlet--
Unfortunate victim of bad teaching: Ugh.
Jill: No, but listen. Shakespeare--
Unfortunate victim of bad teaching: Yuch.

Those images, taken out of context, cannot approach the depth, complexity, and sheer sex appeal that is the Danish prince. In my mind.

If the following paragraph makes no sense to you, don't be alarmed. It is merely an academic wise-ass deterrent. Feel free to read on, undeterred.
Yes, not only do I recognize that this is a characterization in my mind but I also have two years of intensive study in Structuralism and its critics that ensure that if you feel the compulsion to argue with my Reading of Hamlet on a level that privileges the Author rather than my experience of the Text as a Reader, I will be quoting Roland Barthes faster than you can complain about my lack of footnotes. The Author is Dead. Let's move on.

Resume here.
Sunday was Shakespeare's (assumed) birthday. (We have only a baptismal record for April 26, and since babies were traditionally christened three days later, it is assumed that Baby Will came into the world April 23, 1564.) I could think of no better way to celebrate (I would say "this joyous occasion", but he died on April 23 as well) than to explicate upon this two word thesis: "Hamlet. Hot."

As is the case regarding most details of Shakespeariana, there has been much debate about Hamlet's age and whether the textual evidence is consistent regarding the matter. Hamlet is usually accepted to be thirty--which is only a few years younger than Ralph Fiennes was when I spent the evening just about drooling over the mezzanine of the Belasco Theatre at his portrayal of His Royal Hotness. This makes Hamlet a man entering his prime. Purrrrr...

But let's put aside the physical for a moment. Let's also disregard the fact that he's a prince. I'm not a gold-digger. Can anyone you know beat this guy's wit? From the first words he utters, the darkly sarcastic "A little more than kin and less than kind" (1.2.65), on through the playful irreverence of his antic act...

Polonius: What do you read, my lord?
Hamlet: Words, words, words.
(2.2.191-2)

...to the naughty innuendoes he makes at Ophelia while awaiting the Players' performance, how can anyone compete with him on the basis of versatility of wordplay? And for those of you who are not entirely familiar with that specific exchange of dialogue, I present

Jill's Annotated Guide to Act 3, Scene 2, Lines 102-110

Hamlet: My lady, shall I lie in your lap? (May allude to innocent cuddling; may also be translated as "So, can we f*&k?")
Ophelia: No, my lord. (Obviously he has to have said it suggestively, or else she wouldn't say no.)
Hamlet: I mean with my head upon your lap? (Here he teases her by playing innocent. How naughty is that?)
Ophelia: Ay, my lord. (So she agrees.)
Hamlet: Do you think I meant country matters? ("You thought I meant something dirty, didn't you?" What a tease!)
Ophelia: I think nothing, my lord. (By the way, "nothing" or "0" was slang for vagina.)
Hamlet: That's a fair thought to lie between a maids' legs. ("Yep, that's a lovely thing to be between a girl's legs.")
Ophelia: What is, my lord? (Isn't she so decorous you could just scream?)
Hamlet: Nothing. (Essentially, "Pu$$y.")
Ophelia: You are merry, my lord. (Evidently, he conveyed the innuendo, because she basically says, "Wow, you're in a good mood tonight, huh?")

So: he is at his peak physically, and he has a prodigious wit, with a sex drive to match. And to pull off this interchange without getting slapped--how charming does this guy have to be? And not only with women--he has to have a certain disarming aura with men as well, or he wouldn't be able to so gracefully call Rosencrantz and Guildenstern's bluff when they try to pretend that they're not there to fish information out of him on behalf of Claudius (2.2). Not to mention that he would never have realized their intention in the first place if he didn't possess a finely-tuned ability to read people--a skill also illustrated when he realizes that he is being messed with when he is called to visit his mother's chambers (3.2.358-9).

Please tell me that you are beginning to swoon.

What about his intellect and psychological complexity? He's more intelligent than just about everyone else in the play, with only Horatio as his possible equal. He's obviously well-read in the classics, as demonstrated by his various allusions, and his easy references to Aeneas and Dido in discussion with the Players (2.2). He dryly suffers pompous fools such as Polonius and Osric, but not without getting in a few jabs at their expense.

He is living in a time and place experiencing a transition from a religious to a scientific worldview. Soooo he entertains thoughts of suicide for a moment or two--so what? He is struggling with a religious upbringing, but clearly leaning toward humanism--no doubt in large part to his university education and having lived in Wittenburg. (You know how wild and liberal those university towns are.) In fact, early on (1.2.174) he promises he'll teach Horatio to drink hard before he returns to school--all this, and the man can hold his liquor, too!

By the way, he can fence. Well.

Need more?

Not only can he recognize shrewd machinations, but he is able to put them into effect himself. (I can't help it--I like my men Machiavellian. And good at it.) The Mousetrap--"The play's the thing/Wherein I'll catch the conscience of the king" (2.2.583-4)...? Sheer. Freakin'. Genius.

Suriviving the pirate attack? Resourceful.

Rewriting the letter to have Rosencrantz and Guildenstern killed instead of him? A tad cruel, possibly sociopathic--but definitive. You don't mess with my boy Hamlet.

Jumping in the grave to counter Laertes' drama, declaring "This is I, / Hamlet the Dane" (5.1.241-2)...? One word: badass.

When I go to literary Elysium, I am totally sleeping with Hamlet. Don't even think about trying to fight me for him.

And don't bother getting in line behind me, either.


Happy belated birthday, Billy. What are you now, 442? That's a lot of candles.

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Tuesday, March 28, 2006

Hot fudge ain't got nothin' on you.

Nearly 2am. I imagine you there. You are alone. The day was long, and you'd be exhausted--if only you could wind down. You can't, of course, and all the wine in the world can't help you.

There you are, in my mind: itchy, restless. Your bed is just through that door, but it's not even worth an attempt to lie down. You pace, untuck your shirt, nibble on your fingernails. You can't get my words out of your head.

I close my eyes and imagine your fingers. Then, other parts of you. Your forearms, as they cross and uncross in front of you. Your hand, as you rub the back of your neck.

You toss yourself on the sofa, hunched forward. That doesn't work. You throw yourself back, look at the ceiling. No answers there. Your eyelids flutter closed, the darkness letting you better imagine the scene I have set for you.

I wonder if the idea flashed across your mind, so quickly as to be a blur--but if it had been there nonetheless. To follow me into the bathroom. That bathroom--the bathroom with the window, the bathroom with the view. The one I had to steal away to, to stare into the mirror at my own face until I could stop seeing yours; to grip the sides of the sink until I could grip my own impulses. The ones that told me to follow you. Did you want me to follow you?

But that moment is nothing but a memory. In my mind. And now in yours. You open your eyes and you are still on the sofa. But now you are biting your lip. I am not there.

I close my eyes and imagine your fingers. Then, other parts of you.

Your fingers, on other parts of you.

Are you doing what I imagine you're doing?

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Wednesday, March 15, 2006

Virtual Care Package

View from a skyscraper. Skyscraper of your choice. Anywhere in the world. To have the world at your feet. Literally. Immeasurably better than a pat on the back.

Long weekend watching Monty Python, eating whatever the heck you damn well please. And because I'm a fan, I'll throw in some DVDs featuring Will Ferrell, Vince Vaughn, Owen Wilson, and Ben Stiller. Let someone else make you laugh. Works wonders. And if what damn well pleases you should include

Homemade Italian food (and it should), then I've totally got that covered. The chef recommends the wild mushroom and goat cheese risotto, but the lasagna is also reliably delicious, as well as the eggplant parmigiana. In some circles, the braised short ribs and meatballs in my grandmother's gravy is acknowledged to be exquisite. By the way, I'll need preferences in advance as I am very particular about where I do my grocery shopping. I must mandate, however, that the menu include

Soup. Also homemade. Accompanied by tea, with honey and lemon. Warm liquids soothe the throat, and your voice should need soothing right about now.

Wine. Because, really, when can a person not benefit from some vino? It calms. For

Sleep. A lot more than you are currently getting. And to that end, you'll need
  • The power to stop time for the rest of the world but continue living yourself, so you can actually sleep for longer than five hours at a time.
  • Bedtime stories, lullabyes, and soothing affirmations in a foreign language. Originals, of course; slightly off-key, likely; in italiano, sì? Non c'è nessun altro nel mondo abbastanza come tu.
  • Perpetually-cool, heaven-scented pillow of ideal firmness and fluffiness. Also requires you to specify preferences: so what does heaven smell like to you?
  • Relative silence, excepting the white noise of nature. Because it isn't words that are the most important.

Resulting in...

Sweet dreams.

A new day.

Sunshine.

The open road. How much is ever enough?

...and eventually...

Home. A piece of architecture, yes, but that's not the home I mean. I mean the pieces of home that are so small they fit inside the house itself, and you fit inside of them--a sofa, a bed, a kitchen chair, a hug; and also the pieces that are so vast, the only place they fit is inside of you--joy, serenity, security, and hope.


A virtual care package is delivered in a sideless, topless, bottomless, dimensionless, timeless box, so if you have any particular requests just let me know. I'm sure they'll fit.

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Sunday, March 05, 2006

Maybe, After All

Oasis. (noun) 1. a fertile place in the desert, due to the presence of water.
Water: next in my series of poems, following Sky and Air. I haven’t yet a clue what it will say, but I know it will exist. Parallel: the existence of some people; me not having had a clue what I would say, now or then or someday; only knowing, somehow, doubtlessly, that they would exist.

2. any place or thing offering welcome relief from difficulty, dullness, etc.
It is possible that we don’t sense the dullness until the oasis appears. Desert and dullness both parch, but an emotional thirst can be repressed a good deal longer than a physiological. To be oblivious to its bluntness, to its rounding of your psyche like a soup spoon, is not so far-fetched.

THERE’s a hole / there’s a hole / there’s a hole in the bottom of the sea…”
I’ve always had an affinity for nonsense songs, little me, singing them at the top of my little lungs, over and over until my parents’ ears bled peanuts and railroad tracks and hearts all-aflutter. Little me, sensing somehow, in some context, that nonsense made perfect sense.

ARE there ever songs that get stuck in your head, that play themselves a million times over in the jukebox of your mind, for no reason readily apparent?
MANY of them, I find, are prescient. Years later, they make meaning where before there was merely melody.
THINGS once ambiguous and immaterial take on sense and substance.
THAT I ever doubted their clarity seems absurd.
I never foresaw the need for an oasis; I never believed my life would require intervention.
WOULD you like to know when I figured it out? Only after.
LIKE months after. At my favorite table, in my favorite bookstore.

TO intend to write one thing, and have your pen be overtaken by a story you didn’t know you wanted to tell, about an oasis you hadn’t realized you’d visited, is to be jabbed repeatedly by a cold, blunt, soup spoon. At first, there is a chill. And maybe, you laugh. Because how could a dull utensil do any damage? You laugh.
SAY, for the first three drafts. Well...maybe four.
TO continue laughing, however, after you discover that something has pierced your skin, and indeed, gotten under it, is a sure sign of delirium. Or writeririum.
YOU realize it’s in deep when the pain seems a surer sign that something’s going right. Very right. There are thousands of words where before there was only a visceral impulse to run up onto life’s metaphorical stage and kiss the universe.
BUT you’d remained seated so long, nails dug painfully into your own thigh, that your fierceness had dulled into numbness.
I fear numbness now.

DON’T get me wrong. It doesn’t overtake my system, the way my textbook phobia of all things puncture-possible will have me hyperventilating in the fetal position. It’s a wonder I can even write metaphorical punctures, a miracle that I once pierced my own ear: testament to the veracity of the assertion that given sufficient motivation, any phobia can be overcome.
KNOW that my fear of numbness is more the pain of those first few taps of cold blunt soup spoon. A rhythmic chill and retreat demanding vigilance.
HOW I ever allowed myself to get to that place of oasis-desperation so thirsty it couldn’t acknowledge its own lack is beyond my present comprehension. A nonsense song yet to make any sense. Stuck in my head. On repeat. In hindsight, one message shimmering above the sand: don’t let it happen again. I detect the piercing need for a sharper reminder. Now I understand why some people get tattoos.

Wonder.
(noun) 1. a person, thing, or event that causes astonishment and admiration. Initially, surprising to me that this is the first definition listed. Initially, I say, because contemplation yields sense. It is this wonder that births the next. Without it, no need for definition number two; without that which is a marvel to me, no words written. And that is why I thank you, I believe you believe, far too frequently. But I will not stop unless you tell me to. 2. the feeling of surprise, admiration, and awe aroused by something strange, unexpected, incredible, etc. It is a gift in return for which I ordain no amount of sincere gratitude to be excessive. As a writer, though, I loathe meandering unpurposeful repetition. Fortunately for me, an infinitude of ways to express wonder. I won’t run out any time soon.

(int. verb) 1. to be seized or filled with wonder; feel amazement; marvel.
I can write as long as I wonder. Writing can strike as long the iron-awe remains hot, lightning over the dark sea. 2. to have curiosity, sometimes mingled with doubt. Insidious doubt, electricity cackling through the undercurrent of my vast wonder—conducted to, pooling in, the hole in the bottom of the (my) sea. Awe and doubt: two sides of the same lightning bolt.

I fear your silence. Incommunication breeds numbness.
DON’T assume that because I fear numbness, I am blind to its power as a defense mechanism.
BELIEVE not q, then p. I see its power and therefore, I fear. Numbness can be cozy.
THAT is its threat. It lulls.
ANYBODY you ask can tell you ignorance is bliss: ignorance of your thirst quenches your fire. It
FEELS, at first, like a little death. Not the French le petit mort. No—that is far too pleasurable. But it requires the same surrender… I rethink… Perhaps it’s not so different after all, succumbing to the numbness.
THE relinquishment of responsibility halts the flow of electrical doubt—a reprieve from pain virtually indistinguishable from pleasure, in the
WAY falling asleep against the cool tile in the bathroom after grueling hours spent retching is the best you can imagine at that instant.

I do not wish to succumb to the numbness again. I must remain vigilant, even if means prodding myself with my own cold spoon.
DO you believe my doubt destroyed the moment of our mutual marvel?
ABOUT my inability to answer questions, to be verbal in my wonder, my silence indicating my incredulity of the incredible: I profess my responsibility, recognizing that I was the one who advanced to your soil, and also the one who started slapping mortar, laying bricks, doubting my welcome the louder you greeted me. I was given what I'd hoped for and was too stunned to properly receive it.
YOU know nothing of the depth of my regret. May you never. I wish my regret unwarranted.
NOW for the first time, I wish to be lightly informed of my unquestionably overactive imagination.

See how I redefine words for you.

Wall. (noun) 1. (and only.) a figment of my imagination.

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Thursday, January 12, 2006

When a Man Italicizes Feet, Then It Is Okay to Take His Suggestions

"Ruining your life...is an effective path towards writerly enlightenment. You should write a post of good ways to ruin your life for the sake of inspiration."

Disclaimer: It should not be assumed that Jill or anyone that confides in Jill has ever done, or ever intends to do, or even has ever had a situation that brought to mind the thought of doing, any of these things. Though it shouldn't be assumed the opposite, either. Believe what you will.

Good Ways to Ruin Your Life for the Sake of Inspiration

1. Regularly get drunk with one of your college professors who actually lives with his girlfriend and may or may not be certifiably insane. Let nature take its course. Let this develop into a long-term relationship. Write about it. Don't finish the project, though, because you HATE plots.

2. Regularly get drunk with one of your college professors who actually lives by himself and quite possibly is gay or at least bisexual, and most likely has some sort of crush on the professor who lives with his girlfriend. Sleep with him. Refrain from killing him when he decides to cut off all communication with you even though you are still in his class. Get an A in the class and then write about all the ways you could have killed him. Get grad school credit for the writing. Sell mucho tickets at a festival.

3. Date an actor. Write about his inability to accept compliments or express his feelings. Place very high in a writing contest with the result.

4. Become best friends with your ex-boyfriend, the actor. Write about how you get nothing done when you hang out together. Simultaneously, develop crush on 400 year old dead procrastinating fictional character. Write about how delusions of conversing with aforementioned fictional character dovetail nicely with how little work you get done when hanging out with aforementioned ex-boyfriend. Write an academic essay about your creative writing about your delusions. Get grad school credit for both. Sell out run at major festival.

5. Pine.

6. Pine.

7. Pine.

8. But, you know, don't admit the truth.

9. Truth, you see, is stranger than fiction.

10. Therefore, when you write the truth, vaguely enough, people think you're creative.

11. So, you know, why live the truth, when you could just write about it?

12. It's all in the telling.

13. Run away to someone you barely know.

14. Run away with someone you barely know.

15. Think of how many hits your blog would get if all in the blogosphere knew what you'd done, and couldn't wait to hear the sordid details. Think you, possibly, wouldn't care.

16. Self-publish your multimedia journal from the excursion.

17. Sleep with some guy who's probably gay, but at the least is unsatisfying. Become buddies once you get over it. Collaborate.

18. Leave that phone message you've been dying to leave. Sit back and wait for the response. Record the conversation. Transcribe. Publish.

19. Obsessively save all your email and IM conversations. Stop going out into the real world, so that you can stay home, cut and paste them, and turn them into a novel.

20. Ignore someone for as long as you possibly can. Then let sparks fly. Chick lit is hot market.

21. Wake yourself up every two hours and force yourself to write down all the naughty dreams you're having about the person you're ignoring. Sleep deprivation may be a torture method, but clit lit is a hot market.

22. Take a shower.

If you all have any additional suggestions, feel free to leave them in the comments.

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