a harmless bit of voyeurism to start the week
We are watching them. We are watching them and they are well aware.
She had made some light remark about his harmlessness. Just a throw-away, not meant as a dare or an insult, a simple statement to the effect of him never meaning even to hurt a fly. He knows it wasn't to be taken seriously, but he needed an entrée, and this one's as good as any. Maybe better than most.
A few feet away, with a smile, he begins. "So, I'm harmless, then."
She knows where this is going. A smile back will give him encouragement. And those people need something to watch. "Harmless, yes. But that doesn't mean you're not... mmm... dangerous in other ways."
A glance up and he will certainly step closer.
"That's not a very precise use of the word. If I'm harmless, I don't pose any danger at all."
She wants to phrase it properly, but she wants to say it quickly. She wants him closer still. A glance our way. "Potential pleasure poses quite a threat."
An invitation, he knows, but he will bide his time. And step slowly. His answer is low, but clear. "To what?" He wants a reply that tells him to put his hands on her. He would do it anyway, but he'd prefer to make her ask.
She will not look at us now. She makes us wait. All of us.
She knows he is listening and holds his gaze for emphasis. And maybe, just maybe, she cannot look away. "Boundaries." If this doesn't make him touch me, she thinks, I don't know what will. "Every line you thought you'd never let anyone cross."
Silently he congratulates himself for keeping a step back. A teasing touch is better accentuated by a bit of distance. He tries not to laugh out out loud, reaching out his thumb to draw a line from one of her shoulders to the other. "Horizontal lines?"
She commands herself to keep his gaze, but loses the battle as she feels his thumb graze the base of her throat. Looking down, she glimpses his finger just as it slides over the curve of her shoulder. He raises his other hand to mirror the first, and one by one, he touches each finger of each hand to her upper arms, and slides them down lightly. "Vertical lines?"
His hands reach her wrists, then her hands. "And imaginary ones," she offers. He is on his way back up again when his next step becomes clear in his mind. He wonders what her reaction will be. As the words escape, he is already thinking of a follow-up. More words to ease her.
"Oh, you mean..." he begins. She wonders which carefully drawn line he will want to wipe away first. She thinks explicit, dark, and dangerous things, even as his fingers round her shoulders on the way back up. Even as she knows where he is going. It’s the simplest things, she tells herself, that pose the greatest threat.
When he feels the words have hung in the air just long enough, he finishes the sentence. “..how you never let anyone touch your neck.” He is right.
She closes her eyes as she feels his hands slide up, both thumbs now at the base but climbing up her throat. Quietly he urges, “you"... no teasing... "need" he continues, "to relax."
Quietly, he goes on...
"open"
one word
"your"
at
" eyes”
a time.
And that is the last thing we hear, as he lowers his mouth to her ear. He whispers something, several sentences it must be, because we have enough time to watch her face. She flushes, then smiles. Her eyes flutter open. We see his fingers loosen, the ones we can see tracing the ear he does not speak to.
At one second she smiles, looking out at us, gazing as she had at him. She is listening intently, but also thinking, formulating a response. Whatever he is saying is easing her panic, but exciting her in other ways. She raises her eyebrows wickedly. With the beginnings of laughter, we know she has an answer.
She raises her lips to his ear and replies.
She had made some light remark about his harmlessness. Just a throw-away, not meant as a dare or an insult, a simple statement to the effect of him never meaning even to hurt a fly. He knows it wasn't to be taken seriously, but he needed an entrée, and this one's as good as any. Maybe better than most.
A few feet away, with a smile, he begins. "So, I'm harmless, then."
She knows where this is going. A smile back will give him encouragement. And those people need something to watch. "Harmless, yes. But that doesn't mean you're not... mmm... dangerous in other ways."
A glance up and he will certainly step closer.
"That's not a very precise use of the word. If I'm harmless, I don't pose any danger at all."
She wants to phrase it properly, but she wants to say it quickly. She wants him closer still. A glance our way. "Potential pleasure poses quite a threat."
An invitation, he knows, but he will bide his time. And step slowly. His answer is low, but clear. "To what?" He wants a reply that tells him to put his hands on her. He would do it anyway, but he'd prefer to make her ask.
She will not look at us now. She makes us wait. All of us.
She knows he is listening and holds his gaze for emphasis. And maybe, just maybe, she cannot look away. "Boundaries." If this doesn't make him touch me, she thinks, I don't know what will. "Every line you thought you'd never let anyone cross."
Silently he congratulates himself for keeping a step back. A teasing touch is better accentuated by a bit of distance. He tries not to laugh out out loud, reaching out his thumb to draw a line from one of her shoulders to the other. "Horizontal lines?"
She commands herself to keep his gaze, but loses the battle as she feels his thumb graze the base of her throat. Looking down, she glimpses his finger just as it slides over the curve of her shoulder. He raises his other hand to mirror the first, and one by one, he touches each finger of each hand to her upper arms, and slides them down lightly. "Vertical lines?"
His hands reach her wrists, then her hands. "And imaginary ones," she offers. He is on his way back up again when his next step becomes clear in his mind. He wonders what her reaction will be. As the words escape, he is already thinking of a follow-up. More words to ease her.
"Oh, you mean..." he begins. She wonders which carefully drawn line he will want to wipe away first. She thinks explicit, dark, and dangerous things, even as his fingers round her shoulders on the way back up. Even as she knows where he is going. It’s the simplest things, she tells herself, that pose the greatest threat.
When he feels the words have hung in the air just long enough, he finishes the sentence. “..how you never let anyone touch your neck.” He is right.
She closes her eyes as she feels his hands slide up, both thumbs now at the base but climbing up her throat. Quietly he urges, “you"... no teasing... "need" he continues, "to relax."
Quietly, he goes on...
"open"
one word
"your"
at
" eyes”
a time.
And that is the last thing we hear, as he lowers his mouth to her ear. He whispers something, several sentences it must be, because we have enough time to watch her face. She flushes, then smiles. Her eyes flutter open. We see his fingers loosen, the ones we can see tracing the ear he does not speak to.
At one second she smiles, looking out at us, gazing as she had at him. She is listening intently, but also thinking, formulating a response. Whatever he is saying is easing her panic, but exciting her in other ways. She raises her eyebrows wickedly. With the beginnings of laughter, we know she has an answer.
She raises her lips to his ear and replies.


18 Comments:
Ooh, well done, Jill. This is an excellent piece of writing. I feel like I was there.
By
the Caitlinator, At
Mon Jul 10, 02:24:00 PM 2006
Oh. My.
*ahem*
Nothing like a bit of lust in the afternoon, is there? I hope this is part of your play. Or, we'll hear the rest of the story sometime soon. Or, both.
By
Network Geek, At
Mon Jul 10, 02:28:00 PM 2006
Thanks, Caitlinator! Therein lies the joy of voyeurism. ;)
It is part of my play, Network Geek. I'm playing around with a non-comedic scene between my male and female leads, trying to figure out which lines of drama (and decency!) I may or may not want to cross.
By
Jill, At
Mon Jul 10, 02:32:00 PM 2006
Nice, Jill. Nice.
Incidentally, did you change your rss settings? I only got the first paragraph of this post.
By
-J, At
Mon Jul 10, 02:45:00 PM 2006
I love that.
By
Brookelina, At
Mon Jul 10, 04:52:00 PM 2006
Wow.
Do you suppose it's totally inappropriate to take a cold shower at the office?
Dude. Brava.
By
Jennifer, At
Mon Jul 10, 05:48:00 PM 2006
Very nice.
Subtlety in seduction, how charming.
By
trueborn, At
Mon Jul 10, 06:02:00 PM 2006
Nice job, Jill. It's good to be reading you again.
By
Momentary Academic, At
Mon Jul 10, 06:04:00 PM 2006
glad you're back. the Internet was boring a while then.
By
treespotter, At
Mon Jul 10, 06:58:00 PM 2006
I believe Shakespeare said it best when he wrote,
"Holy god, that was so... damn... hot!"
Or maybe it was me who said that. I'm not sure. But wow!
By
The Chronic Curmudgeon, At
Mon Jul 10, 08:36:00 PM 2006
thank god that was harmless. maybe now i can convince my company that your site is not pornographic ;)
it's so not fair i have to wait until after work to partake in your voyeuristic tendencies...
By
ducklet, At
Mon Jul 10, 08:57:00 PM 2006
Hot stuff Jill! So what does she whisper in his ear?
By
ChickyBabe, At
Mon Jul 10, 09:44:00 PM 2006
Oh damn. I should not read your blog this close to bed time. My lonely, solitary bed time. . .
By
Popeye, At
Mon Jul 10, 10:10:00 PM 2006
-J, I haven't changed any settings recently. I'll check on it later.
I love that you love that, Brooke.
I don't know if it's inappropriate, Jennifer. Is there actually a shower? If so, who else would know how cold the water is?
Subtlety always wins big points with me, Trueborn.
Thanks, M.A.. It's nice to actually have time to write again.
Glad to be back, Treespotter. I hate to leave my readers bored!
CC, was it you that said that? What did you do after you said that? Cold shower?
Sorry, Ducky. I wish you were around all day, as well.
Gee, CB, I hadn't actually thought of that.
Yah. You believe that, and, you see that bridge over there? It's made of ice cream.
Actually, I have several potential whispers in mind. If the scene is to be performed, the actors are going to need something new to say every night, so as to keep each other on edge--whoops! I mean, on their toes. Not that I was planning to be on stage, or anything... ;)
I'd love to apologize, Popeye, but I do aim to get my readers... uh... excited. :P
By
Jill, At
Mon Jul 10, 11:04:00 PM 2006
The joy is in the anticipation. Pornography (though meeting a need) tends to be to quick and obvious (almost to a formula). This titillates and excites without giving anything away.
By
meekon5, At
Tue Jul 11, 08:20:00 AM 2006
Gah, now I want a neck massage.
By
Dustin, At
Tue Jul 11, 09:27:00 AM 2006
At first, I thought they might be on stage. Then I completely forget that thought and got caught up in the voyeurism, in the tension. I loved the tension.
I hope the actors do this justice. Do they for you, usually?
By
peefer, At
Wed Jul 12, 08:49:00 AM 2006
That's my life, Meekon, all about the joy of anticipation. Hoping to actually get something soon. ;)
Hope your wish was fulfilled, Dustin.
The actors in my last full-length did do justice to what I wrote, Peefer, though it should be noted that the play did not include quite so much erotic tension. This is a new phase of my writing that I have worked through on the blog, and I am trying to see how it fits into my dramatic writing. I have high hopes for what can be accomplished on the stage with it. (Translate: I want to make the audience squirm.) I kept the "we" frame in this prose piece because I wanted to draw attention to the voyeuristic element. That element is always present to some extent in the theater, but in this play I hope to draw attention to it and work with it as a theme.
By
Jill, At
Thu Jul 13, 12:39:00 AM 2006
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